French19th Century

Camille Pissarro

Camille Pissarro (1830–1903) was a Danish-French Impressionist and Neo-Impressionist painter, the only artist to exhibit in all eight Impressionist group exhibitions. A master of light and delicate brushwork, he documented the French countryside and Parisian streets with luminous tonality. He mentored younger Impressionists while pioneering pointillist techniques. Master Canvas Art offers 444 hand-painted oil reproductions of Camille Pissarro's work.

Associated movement Impressionism

Showing 444 hand-painted works

Camille Pissarro — featured work
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  • FOX HILL, UPPER NORWOOD, LONDON, UNDER SNOW

    FOX HILL, UPPER NORWOOD, LONDON, UNDER SNOW

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    $196.00
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    $196.00
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  • THE CLIMBING PATH, L’HERMITAGE

    THE CLIMBING PATH, L’HERMITAGE

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    $224.00
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    $224.00
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  • THE CHURCH OF SAINT-JACQUES, DIEPPE: MORNING SUN

    THE CHURCH OF SAINT-JACQUES, DIEPPE: MORNING SUN

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    $224.00
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    $224.00
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  • THE CHURCH OF SAINT-JACUES, DIEPPE, RAINY WEATHER

    THE CHURCH OF SAINT-JACUES, DIEPPE, RAINY WEATHER

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    $224.00
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    $224.00
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  • THE CHURCH AT ERAGNY

    THE CHURCH AT ERAGNY

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    $224.00
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    $224.00
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  • THE CHOU QUARRIES, PONTOISE

    THE CHOU QUARRIES, PONTOISE

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    $224.00
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    $224.00
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  • THE CHURCH OF SAINT-JACQUES, DIEPPE

    THE CHURCH OF SAINT-JACQUES, DIEPPE

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    $210.00
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    $210.00
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  • PASTORAL

    PASTORAL

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    $224.00
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    $224.00
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  • THE CARROUSEL: AFTERNOON SUN

    THE CARROUSEL: AFTERNOON SUN

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    $210.00
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    $210.00
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  • QUAI DE POTHUIS, BORDS DE L’OISE

    QUAI DE POTHUIS, BORDS DE L’OISE

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    $224.00
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    $224.00
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  • BAZINCOURT, SUNSET, SNOW EFFECT

    BAZINCOURT, SUNSET, SNOW EFFECT

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    $224.00
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    $224.00
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  • QUAI MALAQUAIS, MORNING, SUN

    QUAI MALAQUAIS, MORNING, SUN

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    $210.00
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    $210.00
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Our promise

Painted by hand. Not printed.

Trained oil painters

Every canvas is painted by hand by a trained oil artist — no prints, no machine finishing. Each piece carries real brushwork, real texture, real layers.

Museum-grade pigment matching

We mix each pigment against high-resolution museum references. The greens of Monet, the gold of Klimt, the blues of Van Gogh — matched, not approximated.

Layered, cured, built to last

Oil paint is built in layers and allowed to dry between them — the way the originals were made. The result is a canvas with depth, weight, and decades of life.