Italian17th

Canaletto

Giovanni Antonio Canal, called Canaletto (1697–1768), was an Italian painter from Venice known for vedute—meticulously detailed cityscapes of Venice, Rome, and London. His luminous, architecturally precise views combined topographic accuracy with subtle atmospheric effects. Documenting 18th-century urban life with crystalline clarity, Canaletto influenced landscape tradition. Master Canvas Art offers 127 hand-painted oil reproductions of Canaletto's work.

Associated movement Rococo

Showing 127 hand-painted works

Canaletto — featured work
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  • THE CANALE DI SANTA CHIARI

    THE CANALE DI SANTA CHIARI

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    $383.00
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    $383.00
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  • FONTEGHETTO DELLA FARINA, VENICE

    FONTEGHETTO DELLA FARINA, VENICE

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    $346.00
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    $346.00
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  • THE BUCINTGORO BY THE MOLO ON ASCENSION DAY

    THE BUCINTGORO BY THE MOLO ON ASCENSION DAY

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    $348.00
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    $348.00
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  • THE BUCINTORO AT THE MOLO ON ASCENSION DAY

    THE BUCINTORO AT THE MOLO ON ASCENSION DAY

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    $940.00
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    $940.00
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  • A REGATTA ON THE GRAND CANAL

    A REGATTA ON THE GRAND CANAL

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    $365.00
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    $365.00
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  • BASILICA DI VECENZA AND THE PONTE DE RIALTO

    BASILICA DI VECENZA AND THE PONTE DE RIALTO

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    $940.00
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    $940.00
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  • INTERIOR COURT OF THE DOGE’S PALACE, VENICE

    INTERIOR COURT OF THE DOGE’S PALACE, VENICE

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    $330.00
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    $330.00
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  • THE MOLE WITH SANTA MARIA DELLA SALUTE

    THE MOLE WITH SANTA MARIA DELLA SALUTE

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    $293.00
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    $293.00
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  • THE BACINO DI SAN MARCO: LOOKING NORTH

    THE BACINO DI SAN MARCO: LOOKING NORTH

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    $383.00
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    $383.00
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  • THE BACINO DI SAN MARCO, VENICE, SEEN FROM THE GIUDECCA

    THE BACINO DI SAN MARCO, VENICE, SEEN FROM THE GIUDECCA

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    $293.00
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    $293.00
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  • NORTHUMBERLAND HOUSE

    NORTHUMBERLAND HOUSE

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    $365.00
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    $365.00
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  • THE ARCH OF SEPTIMIUS SEVERUS

    THE ARCH OF SEPTIMIUS SEVERUS

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    $346.00
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Our promise

Painted by hand. Not printed.

Trained oil painters

Every canvas is painted by hand by a trained oil artist — no prints, no machine finishing. Each piece carries real brushwork, real texture, real layers.

Museum-grade pigment matching

We mix each pigment against high-resolution museum references. The greens of Monet, the gold of Klimt, the blues of Van Gogh — matched, not approximated.

Layered, cured, built to last

Oil paint is built in layers and allowed to dry between them — the way the originals were made. The result is a canvas with depth, weight, and decades of life.