Subject
Architecture
Architecture as a painting subject spans from Renaissance vedute by Canaletto to dramatic Baroque fantasies and precise Neoclassical renderings, characterized by intricate perspective and grand scale. These works offer a window into historical design and urban landscapes, providing a sophisticated focal point for any interior.
Showing 64 hand-painted works
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INTERIOR OF ELY CATHEDRAL, NORTH TRANSEPT AND CHANCEL
INTERIOR OF ELY CATHEDRAL, NORTH TRANSEPT AND CHANCEL
- Regular price
- From $330.00
- Sale price
- From $330.00
- Regular price
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OXFORD, TOM TOWER, CHRIST CHURCH
OXFORD, TOM TOWER, CHRIST CHURCH
- Regular price
- From $330.00
- Sale price
- From $330.00
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LLANDAFF, THE WEST FRONT OF THE CATHEDRAL
LLANDAFF, THE WEST FRONT OF THE CATHEDRAL
- Regular price
- From $311.00
- Sale price
- From $311.00
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EVESHAM, THE CHURCH OF ST LAWRENCE, SEEN THROUGH THE ARCH OF THE BELL TOWER
EVESHAM, THE CHURCH OF ST LAWRENCE, SEEN THROUGH THE ARCH OF THE BELL TOWER
- Regular price
- From $330.00
- Sale price
- From $330.00
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THE BUILDING OF WESTMINSTER BRIDGE
THE BUILDING OF WESTMINSTER BRIDGE
- Regular price
- From $311.00
- Sale price
- From $311.00
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ROME, THE COLOSSEUM, FROM THE WEST
ROME, THE COLOSSEUM, FROM THE WEST
- Regular price
- From $224.00
- Sale price
- From $224.00
- Regular price
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THE INTERIOR OF DURHAM CATHEDRAL, LOOKING EAST ALONG THE SOUTH AISLE
THE INTERIOR OF DURHAM CATHEDRAL, LOOKING EAST ALONG THE SOUTH AISLE
- Regular price
- From $330.00
- Sale price
- From $330.00
- Regular price
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RUINS OF A TEMPLE NEAR BAIA
RUINS OF A TEMPLE NEAR BAIA
- Regular price
- From $196.00
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- From $196.00
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OLD THEATRE ROYAL, QUEEN STREET, AFTER THE FIRE IN JANUARY 1829
OLD THEATRE ROYAL, QUEEN STREET, AFTER THE FIRE IN JANUARY 1829
- Regular price
- From $330.00
- Sale price
- From $330.00
- Regular price
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INTERIOR OF THE COLOSSEUM ROME
INTERIOR OF THE COLOSSEUM ROME
- Regular price
- From $311.00
- Sale price
- From $311.00
- Regular price
Painted by hand. Not printed.
Trained oil painters
Every canvas is painted by hand by a trained oil artist — no prints, no machine finishing. Each piece carries real brushwork, real texture, real layers.
Museum-grade pigment matching
We mix each pigment against high-resolution museum references. The greens of Monet, the gold of Klimt, the blues of Van Gogh — matched, not approximated.
Layered, cured, built to last
Oil paint is built in layers and allowed to dry between them — the way the originals were made. The result is a canvas with depth, weight, and decades of life.
