French19th Century

Camille Pissarro

Camille Pissarro (1830–1903) was a Danish-French Impressionist and Neo-Impressionist painter, the only artist to exhibit in all eight Impressionist group exhibitions. A master of light and delicate brushwork, he documented the French countryside and Parisian streets with luminous tonality. He mentored younger Impressionists while pioneering pointillist techniques. Master Canvas Art offers 444 hand-painted oil reproductions of Camille Pissarro's work.

Associated movement Impressionism

Showing 444 hand-painted works

Camille Pissarro — featured work
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  • LANDSCAPE AT ERAGNY

    LANDSCAPE AT ERAGNY

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  • VIEW OF THE SEINE FROM THE RAISED TERRACE OF THE PONT-NEUF

    VIEW OF THE SEINE FROM THE RAISED TERRACE OF THE PONT-NEUF

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  • THE TREASURY AND THE ACADEMY, GRAY WEATHER

    THE TREASURY AND THE ACADEMY, GRAY WEATHER

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  • BY THE WATER

    BY THE WATER

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  • VIEW OF THE OISSEL COTTON MILL, NEAR ROUEN

    VIEW OF THE OISSEL COTTON MILL, NEAR ROUEN

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  • VIEW OF SAINT-OUEN-L’AUMONE

    VIEW OF SAINT-OUEN-L’AUMONE

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  • THE STEEPLE OF BAZINCOURT

    THE STEEPLE OF BAZINCOURT

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  • VIEW OF PARIS, RUE D’AMSTERDAM

    VIEW OF PARIS, RUE D’AMSTERDAM

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  • SUBURB AND QUAI ST. SEVER IN ROUEN

    SUBURB AND QUAI ST. SEVER IN ROUEN

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  • STILL LIFE WITH SPANISH PEPPERS

    STILL LIFE WITH SPANISH PEPPERS

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  • THE GARDEN OF THE ANGO MANOR, VARENGEVILLE, SUNSET

    THE GARDEN OF THE ANGO MANOR, VARENGEVILLE, SUNSET

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  • THE STEADING OF THE AUBERGE ANGO, VARENGEVILLE

    THE STEADING OF THE AUBERGE ANGO, VARENGEVILLE

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Our promise

Painted by hand. Not printed.

Trained oil painters

Every canvas is painted by hand by a trained oil artist — no prints, no machine finishing. Each piece carries real brushwork, real texture, real layers.

Museum-grade pigment matching

We mix each pigment against high-resolution museum references. The greens of Monet, the gold of Klimt, the blues of Van Gogh — matched, not approximated.

Layered, cured, built to last

Oil paint is built in layers and allowed to dry between them — the way the originals were made. The result is a canvas with depth, weight, and decades of life.