British

James E. Buttersworth

James Edward Buttersworth (1817–1894) was an English painter who specialized in maritime art and is considered among the foremost ship portraitists in the United States of the nineteenth century. His paintings are particularly known for their meticulous detail, dramatic settings, and grace in movement.

Associated movement Realism

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  • Two American Naval Vessels Entering Harbor by James E. Buttersworth

    TWO AMERICAN NAVAL VESSELS ENTERING HARBOR

    From $196.00
    From $196.00
  • The Bark ’Marblehead’ Coming Into Port by James E. Buttersworth

    THE BARK ’MARBLEHEAD’ COMING INTO PORT

    From $210.00
    From $210.00
  • Old Brooklyn Navy Yard, East River, New York by James E. Buttersworth

    OLD BROOKLYN NAVY YARD, EAST RIVER, NEW YORK

    From $210.00
    From $210.00
  • Yachts Racing Off Sandy Hook by James E. Buttersworth

    YACHTS RACING OFF SANDY HOOK

    From $210.00
    From $210.00
  • Yachting Off Castle Garden by James E. Buttersworth

    YACHTING OFF CASTLE GARDEN

    From $210.00
    From $210.00
  • Yachting In New York Harbor by James E. Buttersworth

    YACHTING IN NEW YORK HARBOR

    From $210.00
    From $210.00
  • Off Sandy Hook by James E. Buttersworth

    OFF SANDY HOOK

    From $210.00
    From $210.00
  • Yacht Race Off Castle Garden, New York by James E. Buttersworth

    YACHT RACE OFF CASTLE GARDEN, NEW YORK

    From $267.00
    From $267.00
  • Yacht Race Off Castle Rock by James E. Buttersworth

    YACHT RACE OFF CASTLE ROCK

    From $210.00
    From $210.00
  • Yacht ’Sappho’ Beating To The Wind by James E. Buttersworth

    YACHT ’SAPPHO’ BEATING TO THE WIND

    From $210.00
    From $210.00
  • Yacht Under Full Sail by James E. Buttersworth

    YACHT UNDER FULL SAIL

    From $196.00
    From $196.00
  • Yacht Race In New York Harbor by James E. Buttersworth

    YACHT RACE IN NEW YORK HARBOR

    From $196.00
    From $196.00
Our promise

Painted by hand. Not printed.

Trained oil painters

Every canvas is painted by hand by a trained oil artist — no prints, no machine finishing. Each piece carries real brushwork, real texture, real layers.

Museum-grade pigment matching

We mix each pigment against high-resolution museum references. The greens of Monet, the gold of Klimt, the blues of Van Gogh — matched, not approximated.

Layered, cured, built to last

Oil paint is built in layers and allowed to dry between them — the way the originals were made. The result is a canvas with depth, weight, and decades of life.