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VENICE: PIAZZA SAN MARCO TOWARDS S. GEMINIANO

VENICE: PIAZZA SAN MARCO TOWARDS S. GEMINIANO
- Regular price
- From $330.00
- Sale price
- From $330.00
- Regular price
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ROME: VIEW OF THE COLOSSEUM AND THE ARCH OF CONSTANTINE

ROME: VIEW OF THE COLOSSEUM AND THE ARCH OF CONSTANTINE
- Regular price
- From $346.00
- Sale price
- From $346.00
- Regular price
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VENICE: A CAPRICE VIEW WITH A POINTED ARCH

VENICE: A CAPRICE VIEW WITH A POINTED ARCH
- Regular price
- From $330.00
- Sale price
- From $330.00
- Regular price
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ROME: RUINS OF THE FORUM LOOKING TOWARDS THE CAPITOL

ROME: RUINS OF THE FORUM LOOKING TOWARDS THE CAPITOL
- Regular price
- From $348.00
- Sale price
- From $348.00
- Regular price
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VENICE: CAPRICCIO WITH THE FOUR HORSES FROM THE CATHEDRAL OF SAN MARCO

VENICE: CAPRICCIO WITH THE FOUR HORSES FROM THE CATHEDRAL OF SAN MARCO
- Regular price
- From $330.00
- Sale price
- From $330.00
- Regular price
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VENICE: CAPRICE VIEW WITH A PALLADIO DESIGN FOR THE RIALTO

VENICE: CAPRICE VIEW WITH A PALLADIO DESIGN FOR THE RIALTO
- Regular price
- From $346.00
- Sale price
- From $346.00
- Regular price
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VENICE: A REGATTA ON THE GRAND CANAL 1735

VENICE: A REGATTA ON THE GRAND CANAL 1735
- Regular price
- From $150.00
- Sale price
- From $150.00
- Regular price
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VENICE, BACINO DI SAN MARCO ON ASCENSION DAY

VENICE, BACINO DI SAN MARCO ON ASCENSION DAY
- Regular price
- From $940.00
- Sale price
- From $940.00
- Regular price
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VENICE, A VIEW OF PIAZZA SAN MARCO LOOKING EAST TOWARDS THE BASILICA

VENICE, A VIEW OF PIAZZA SAN MARCO LOOKING EAST TOWARDS THE BASILICA
- Regular price
- From $293.00
- Sale price
- From $293.00
- Regular price
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VENICE: A REGATTA ON THE GRAND CANAL 1734

VENICE: A REGATTA ON THE GRAND CANAL 1734
- Regular price
- From $777.00
- Sale price
- From $777.00
- Regular price
Painted by hand. Not printed.
Trained oil painters
Every canvas is painted by hand by a trained oil artist — no prints, no machine finishing. Each piece carries real brushwork, real texture, real layers.
Museum-grade pigment matching
We mix each pigment against high-resolution museum references. The greens of Monet, the gold of Klimt, the blues of Van Gogh — matched, not approximated.
Layered, cured, built to last
Oil paint is built in layers and allowed to dry between them — the way the originals were made. The result is a canvas with depth, weight, and decades of life.












