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THE BURNING OF HMS ’ROYAL JAMES’ AT THE BATTLE OF SOLEBAY, 28 MAY 1672

THE BURNING OF HMS ’ROYAL JAMES’ AT THE BATTLE OF SOLEBAY, 28 MAY 1672
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A ROYAL VISIT TO THE FLEET IN THE THAMES ESTUARY, 1672

A ROYAL VISIT TO THE FLEET IN THE THAMES ESTUARY, 1672
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A ROW GALLEY ON FIRE

A ROW GALLEY ON FIRE
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A RIVER LANDSCAPE WITH FISHERMEN IN ROWING BOATS AND WINDMILLS BEYOND

A RIVER LANDSCAPE WITH FISHERMEN IN ROWING BOATS AND WINDMILLS BEYOND
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THE BLACK SEA AT NIGHT

THE BLACK SEA AT NIGHT
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THE BLACK SEA FLEET IN FEODOSIYA

THE BLACK SEA FLEET IN FEODOSIYA
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TWO MASTED SCHOONER

TWO MASTED SCHOONER
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PORTSMOUTH HARBOR WITH AN 80-GUN FRIGATE BOUND FOR SPITHEAD

PORTSMOUTH HARBOR WITH AN 80-GUN FRIGATE BOUND FOR SPITHEAD
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Painted by hand. Not printed.
Trained oil painters
Every canvas is painted by hand by a trained oil artist — no prints, no machine finishing. Each piece carries real brushwork, real texture, real layers.
Museum-grade pigment matching
We mix each pigment against high-resolution museum references. The greens of Monet, the gold of Klimt, the blues of Van Gogh — matched, not approximated.
Layered, cured, built to last
Oil paint is built in layers and allowed to dry between them — the way the originals were made. The result is a canvas with depth, weight, and decades of life.












