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SARAH CHURCHILL, DUCHESS OF MARLBOROUGH

SARAH CHURCHILL, DUCHESS OF MARLBOROUGH
- Regular price
- From $298.00
- Sale price
- From $298.00
- Regular price
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SARAH CURRAN, PLAYING THE HARP

SARAH CURRAN, PLAYING THE HARP
- Regular price
- From $224.00
- Sale price
- From $224.00
- Regular price
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SARAH EMLEN ROBERTS, MRS. HARRY INGERSOLL

SARAH EMLEN ROBERTS, MRS. HARRY INGERSOLL
- Regular price
- From $196.00
- Sale price
- From $196.00
- Regular price
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SARAH ESTHER HINDMAN AS LITTLE RED RIDING HOOD

SARAH ESTHER HINDMAN AS LITTLE RED RIDING HOOD
- Regular price
- From $210.00
- Sale price
- From $210.00
- Regular price
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SARAH HARROP (MRS. BATES) AS A MUSE

SARAH HARROP (MRS. BATES) AS A MUSE
- Regular price
- From $237.00
- Sale price
- From $237.00
- Regular price
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SARAH MINOT MELVILLE

SARAH MINOT MELVILLE
- Regular price
- From $196.00
- Sale price
- From $196.00
- Regular price
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SARAH ROGERS GRACIE KING, MRS. JAMES GORE KING, WIFE OF "THE GOLD BEATER"

SARAH ROGERS GRACIE KING, MRS. JAMES GORE KING, WIFE OF "THE GOLD BEATER"
- Regular price
- From $224.00
- Sale price
- From $224.00
- Regular price
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SARAH SIDDONS AS ISABELLA FROM ’THE TRAGEDY OF ISABELLA’ OR ’THE FATAL MARRIAGE’

SARAH SIDDONS AS ISABELLA FROM ’THE TRAGEDY OF ISABELLA’ OR ’THE FATAL MARRIAGE’
- Regular price
- From $237.00
- Sale price
- From $237.00
- Regular price
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SARAH SULLY AND HER DOG, PONTO

SARAH SULLY AND HER DOG, PONTO
- Regular price
- From $210.00
- Sale price
- From $210.00
- Regular price
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SASKIA DRESSED AS FLORA

SASKIA DRESSED AS FLORA
- Regular price
- From $224.00
- Sale price
- From $224.00
- Regular price
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SASKIA VAN UYLENBURGH

SASKIA VAN UYLENBURGH
- Regular price
- From $224.00
- Sale price
- From $224.00
- Regular price
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SASKIA VAN UYLENBURGH, WIFE OF THE ARTIST

SASKIA VAN UYLENBURGH, WIFE OF THE ARTIST
- Regular price
- From $224.00
- Sale price
- From $224.00
- Regular price
Painted by hand. Not printed.
Trained oil painters
Every canvas is painted by hand by a trained oil artist — no prints, no machine finishing. Each piece carries real brushwork, real texture, real layers.
Museum-grade pigment matching
We mix each pigment against high-resolution museum references. The greens of Monet, the gold of Klimt, the blues of Van Gogh — matched, not approximated.
Layered, cured, built to last
Oil paint is built in layers and allowed to dry between them — the way the originals were made. The result is a canvas with depth, weight, and decades of life.












