British18th

John Martin

John Martin (1789–1854) was an English Romanticist painter, engraver, and illustrator known for vast, dramatic compositions of biblical and apocalyptic subjects. His sweeping landscapes populated with minute figures emphasize human insignificance amid overwhelming natural forces and divine judgement. His most notable works, Belshazzar's Feast (1820), generated unprecedented public acclaim. In his final years, he painted a trilogy of biblical scenes including The Last Judgment and The Great Day of His Wrath, now. Master Canvas Art offers 14 hand-painted oil reproductions of John Martin's work.

Associated movement Romanticism

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  • The Seventh Plague by John Martin

    THE SEVENTH PLAGUE

    From $973.00
    From $973.00
  • Ruins Of An Ancient City by John Martin

    RUINS OF AN ANCIENT CITY

    From $259.00
    From $259.00
  • The Country Of The Iguanodon by John Martin

    THE COUNTRY OF THE IGUANODON

    From $242.00
    From $242.00
  • The Fire, Edinburgh by John Martin

    THE FIRE, EDINBURGH

    From $196.00
    From $196.00
  • The Destruction Of Tyre by John Martin

    THE DESTRUCTION OF TYRE

    From $196.00
    From $196.00
  • The Destruction Of Pharao’S Army by John Martin

    THE DESTRUCTION OF PHARAO’S ARMY

    From $210.00
    From $210.00
  • Shore Scene, Evening by John Martin

    SHORE SCENE, EVENING

    From $196.00
    From $196.00
  • The Bard by John Martin

    THE BARD

    From $259.00
    From $259.00
  • Sadak In Search Of The Waters Of Oblivion by John Martin

    SADAK IN SEARCH OF THE WATERS OF OBLIVION

    From $196.00
    From $196.00
  • Pandemonium by John Martin

    PANDEMONIUM

    From $365.00
    From $365.00
  • Edwin And Angelina by John Martin

    EDWIN AND ANGELINA

    From $210.00
    From $210.00
  • Alexander And Diogenes by John Martin

    ALEXANDER AND DIOGENES

    From $242.00
    From $242.00
Our promise

Painted by hand. Not printed.

Trained oil painters

Every canvas is painted by hand by a trained oil artist — no prints, no machine finishing. Each piece carries real brushwork, real texture, real layers.

Museum-grade pigment matching

We mix each pigment against high-resolution museum references. The greens of Monet, the gold of Klimt, the blues of Van Gogh — matched, not approximated.

Layered, cured, built to last

Oil paint is built in layers and allowed to dry between them — the way the originals were made. The result is a canvas with depth, weight, and decades of life.