British

Thomas Lawrence

Thomas Lawrence (1769–1830) was an English portrait painter and fourth president of the Royal Academy. A child prodigy, he supported his family with pastel portraits by age ten and received his first royal commission at twenty. As the country's foremost portraitist during the Regency, he painted allied military leaders, diplomats, and nobility following Napoleon's defeat. His legacy includes an unrivaled collection of Old Masters drawings. Master Canvas Art offers 11 hand-painted oil reproductions of Thomas Lawrence's work.

Associated movement Romanticism

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  • Mrs Jens Wolff by Thomas Lawrence

    MRS JENS WOLFF

    From $224.00
    From $224.00
  • Mrs Robert Blencowe by Thomas Lawrence

    MRS ROBERT BLENCOWE

    From $224.00
    From $224.00
  • Head Of A Boy by Thomas Lawrence

    HEAD OF A BOY

    From $196.00
    From $196.00
  • Margaret, Countess Of Blessington by Thomas Lawrence

    MARGARET, COUNTESS OF BLESSINGTON

    From $224.00
    From $224.00
  • Emily And Harriet Lamb As Children by Thomas Lawrence

    EMILY AND HARRIET LAMB AS CHILDREN

    From $224.00
    From $224.00
  • Caroline, Princess Of Wales And Princess Charlotte by Thomas Lawrence

    CAROLINE, PRINCESS OF WALES AND PRINCESS CHARLOTTE

    From $242.00
    From $242.00
  • Portrait Of Mrs James Fraser Of Castle Fraser by Thomas Lawrence

    PORTRAIT OF MRS JAMES FRASER OF CASTLE FRASER

    From $224.00
    From $224.00
  • Lady Mary Templeton And Her Eldest Son by Thomas Lawrence

    LADY MARY TEMPLETON AND HER ELDEST SON

    From $242.00
    From $242.00
  • Portrait Of Elizabeth Farren by Thomas Lawrence

    PORTRAIT OF ELIZABETH FARREN

    From $196.00
    From $196.00
  • Julia, Lady Peel by Thomas Lawrence

    JULIA, LADY PEEL

    From $224.00
    From $224.00
  • Princess Charlotte Of Wales (1796-1817) by Thomas Lawrence

    PRINCESS CHARLOTTE OF WALES (1796-1817)

    From $224.00
    From $224.00
Our promise

Painted by hand. Not printed.

Trained oil painters

Every canvas is painted by hand by a trained oil artist — no prints, no machine finishing. Each piece carries real brushwork, real texture, real layers.

Museum-grade pigment matching

We mix each pigment against high-resolution museum references. The greens of Monet, the gold of Klimt, the blues of Van Gogh — matched, not approximated.

Layered, cured, built to last

Oil paint is built in layers and allowed to dry between them — the way the originals were made. The result is a canvas with depth, weight, and decades of life.